It was easy enough for me to keep my mind off things as long as we were out in the music and diversions of Blackpool, but as soon as the door shut us inside that quiet room, Jack felt panic setting in. I was scared about undressing in front of the girls, and that maybe I was driving Nickie away from me and there was nothing I could do about it. I knew Connor expected me to give the glasses to him. I worried, too, if Seth was going to start making noises. And I tried, unsuccessfully, to shut out those images that flashed from the other side of the Marbury lens: Griffin running in fear, crying for my help, and seeing Freddie Horvath was there, like he was waiting for me, hunting (p 242).
The above quote is representative of The Marbury Lens. Notice the point of view shift. The multiple story lines. The fearful, anxious tone. The attempt to survive and the despair.
This novel shifts setting as abruptly as it shifts point of view. Once our main character is established, the story divides unceremoniously and while some threads overlap, it creates a dream-like quality; you know where you are and who is there but you don’t understand how you know and aren’t entirely sure what’s going on – you just know the tone.
It’s as if Smith were taking his cues from David Lynch a la Mulholland Drive.
First, the introduction. Jack is sixteen, living with his grandparents in California, and best friends with Connor. The two have been friends their whole lives. They’re about to take a trip to London over the summer to scout out a boys boarding school. Then, Jack is kidnapped by a doctor named Freddie Horvath, almost raped and escapes, narrowly.
Wanting to forget it all, he heads to London on schedule. Connor will follow. While there, he meets Henry, a mysterious man who leaves a pair of glasses for him. When he looks inside the glasses Jack enters Marbury, a world at war where Jack and two youngsters are on the run from wild, raucous cannibals, lead by a sinister version of Connor.
In Marbury Jack meets Seth, a ghost with a haunting past. As Seth helps Jack, his story becomes Jack’s. And so Seth crosses over into our world.
When Jack returns to London, there are gaps in his memory, time missing. He met a beautiful girl with whom he is falling in love but can’t remember how or where they met. Connor arrives and also enters Marbury, though his experience is vastly different from Jack’s.
What is real? Marbury or London? What happens to Jack when he leaves one world for another? Smith keeps the reader guessing.
All these stories, jumbled make up The Marbury Lens. When I finished, I was reminded strongly of The Usual Suspects. Verbal, played by Kevin Spacey, is being questioned by the police. He weaves a compelling story where everything fits neatly together until the end, when we learn of his ruse. He has fabricated most of his story from miscellaneous items surrounding him, so concealing his identity and his crimes. Jack seemed to be acting the same way, and yet, at times… not.
All the while, a part of him is screaming for help! You haven’t gotten away from anything, Jack. Fuck you, Jack. Freddie Horvath did something to my brain.
It is an examination of how trauma affects the mind and body, guilt, embarrassment, blame, friendship, abandonment and the horrors humans are capable of committing.
This isn’t a book I can nail down and say “I liked it” or “I didn’t like it.” It’s more like, “What did I just read?” It’s intense, a lot depressing and a little bit hopeful. It’s realistic, paranormal, and dystopian. I wouldn’t call it a perfect novel… my attention wavered half-way through… after all, it was difficult to sit through Mulholland Drive. It is a very good novel. I’m glad I read it all but I’m going to read something uplifting next!
Now, there were some crazy comments made on Jawas Read, Too! pertaining to the numerous occurrences Connor mentions homosexuality in joking or in passing. I won’t comment on any of that. Suffice to say I found Connor a realistic and endearing character. His friendship with Jack was complicated and wonderful. It’s what held me when my attention wavered.
PS: I do love the cover but I thought the book trailer was rather lame, so I’m not linking to it. Also, I’d really like to introduce Freddie Horvath to Dexter.
Another review: Wandering Librarian
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